DON
CUNNINGHAM INTERVIEW
The
Playboy club was your regular gig where the album was sold, was
it the most happening spot in St Louis?
--At that time as far as jazz and international entertainment, yes
it was. There were local venues and concert halls but the Playboy
club was the spot.
Did you have a favorite bunny?
--All of 'em!
Who's idea was it to play "Tabu"
--My idea! Heard it through Arthur Lyman and Martin Denny, I just
liked the haunting quality of it. I didn't want to do it the same
way, but I thought I could add a more cohesive Latin sound.
What is the instrument you're playing at the top of "Tabu",
sounds like bamboo shoots or something!
--That's a boobam! Bamboo shoots hollowed out and covered in skin
originally, although mine were fiberglass. A percussionist from
the S Louis symphony made them for me, as the real boobam wasn't
easily available in St Louis. I just had them restored, hopefully
I get to use them again soon!
You're music was influenced by travel to exotic places of
the world - What's the most exotic instrument(s) you know how to
play?
--Probably the steel drum, the jaw bones, and the boobam, they're
all on the album. Jaw bones are made from the bones of a donkey
jaw, when you hit it the teeth rattle, but these break very easily.
What do you think of the fact that there are kids all over
the world who know about and dance to your album?
--I wanna' hug 'em and kiss 'em, because they make it known around
the world. People danced to it back in the day, I also played a
lot of lounges where people would just watch.
If asked could the original band still get together and play like
this?
--All but one. John Mixon passed away two years ago. But we could
recreate that sound, no problem. We'd even extend the tunes as we
were limited by time on the album.
When did you know it was a "collectible" record?
--I never knew until you told me! My wife told me it would be collectible
back in the day "That's going to be collectors item one day,"
she said. She liked "Tabu", too. But "Quiet Village"
was her favorite.
How does the music differ from your Don Cunningham and Company
album released a decade or so later on Hendon?
--Alecia, my wife was on this album, and it's less exotic, more
contemporary.
What's it like performing as The Cunninghams with the Count
Basie Orchestra?
--It's like I died and went to heaven. It's another side to us,
it's a strictly vocal peformance for Alecia and I.
What music are you listening to currently?
--Everything! Jazz, Latin, classical, even easy listening and opera.
Ray Armando I like, Thelonius Monk, Sonny Stitt, Stan Getz, Joe
Williams, Manhatten Transfer, Sarah Vaughn, Tito Puente, and Nat
King Cole who is my mentor.
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