| DERF
REKLAW
Modal jazz, poetry and sambas, jug playing, Haitian, African
and Afro-Cuban rhythms lend many shades to Derf Reklaws "From
The Nile".
This is not a "world music" album, but the notable excursions
into global rhythms will please those with eclectic yearnings.
It's far from being a straight jazz album, although jazz fans
will surely like Reklaws version of Coltranes "Ole"
and the original opening tune "Sunrise On The Nile".
Percussion jams, chanting, poetry, modal jazz, Haitian rhythms
and a sense of theatre give "From The Nile" a wide spread
musical scope.
"Every song on this album is a tribute in one way or another
to the people who helped to formulate my musical education,"
says Reklaw. That includes the Pharoahs (the legendary 60s
underground soul jazz ensemble from Chicago that first connected
Ubiquity to Reklaw by way of two re-issues on Ubiquity imprint
Luv N'Haight), whom Reklaw was a member of for 5 years. Despite
the multitude of influences "From The Nile" flows like
one mans dream and demonstrates a consistency in sound powered
by a hunger for depth and experimentation.
To refer to Derf Reklaw as a man of many talents would be to understate
his abilities. The former Pharoah is a musician, composer, choreographer,
lecturer, vocalist and inventor amongst other things. It is highly
appropriate that he resides in Leimert Park LA, which is quickly
becoming a focal point for jazz innovation on the West Coast.
"From The Nile" is his debut album for Ubiquity and
provides sonic testament to his endless capabilities.
Reklaw moved to LA from Chicago in 1979. He is an artist in residence
at several educational institutions including UCLA, Santa monica
College, LA Conservatory and View Park Academy. His career has
enabled him to play to with artists like Herbie Hancock, Aretha
Franklin, Eddie Harris, Minnie Ripperton, Ahmad Jamal, Sting and
Lionel Hampton. This latest album features guest spots from drummer
Billy Higgins, poet Kamau Daaood and original member of the Pharoahs
Lui Lui Satterfield. |
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